Written in 1865 by Frederick Colvile, The Coleville Manuscript is a sketchbook come 19th Century journal of a trip around the coast and pastures of Redcar & Cleveland. The book held by Teesside Archives forms the root of an upcoming exhibition for Tees Valley Arts at their new gallery space in Redcar, The Redcar Palace.
Never seen by the public before, the archival document details first hand, leisure and labour in Redcar and includes over 90 illustrations detailing the traditions of foying, selling fish, donkey rides and seawater bathing. The Redcar Palace will play host to the loaned manuscript presented alongside artworks responding to Coleville’s observations as a holiday maker visiting the town. Featured artists and newly commissioned works include; oil pastel sketches by Redcar based Ross Lombardy. A collaboration between Redcar fishing family born writer Carmen Marcus and Saltburn by the Sea photographer Kev Howard. As well as, Whitby based ceramicist Aphra O’Connor’s reinterpretation of the seaside, amongst many others.
Opening on October 15th at The Redcar Palace, in partnership with Teesside Archives, it will be the first time the book has been in Redcar since it was written over 150 years ago.
Leake church now stands alone by the A19, it once served the now deserted Medieval village of Leake; it now serves the two villages of Borrowby and Knayton.
Mass dials are a type of medieval sundial found on churches, they were used to show the time of services held during the day before the advent of clocks and watches.
They are also known as Scratch dials because many are scratched into the stone. The hole in the centre held a rod that cast a shadow, known as a gnomon.
This impressive bench was unveiled on the 15th of June 2021, to mark 50 years of mining Potash, Salt and Polyhalite at Boulby.
It was designed by local artist Katie Ventress. The miner sits at a replica bait table made of laser-cut stainless steel, with a map of the mine on the table top.
The wonderful doorway arch shaped like horseshoe can only be a Blacksmiths, built in 1858 as the inscription tells us and still used for that purpose into the 1960’s
John Turton was a physician to ‘mad’ George III, he bought the manor of Roxby but died in without children, the estate passed to the youngest son of Rev William Peters (chaplain to the Prince Regent) who assumed the Turton name and coat of arms.
When I first posted photos of Warren Moor back in 2008 it was a very risky place to visit, with two unprotected mine shafts. As part of the Heritage Lottery funded Land of Iron project, the area has been made much more friendly to visitors.
This rock lies within the Wilton International Site, so cannot be viewed by the public.
The plaque says everything you need to know :-
This 3.8 ton piece of calcareous limestone (containing shells) was transported by glaciers and deposited on the Wilton site between 70,000 and 13,000 years ago.
Mick Garrett took this shot 14 years ago.
Although the rock hasn’t changed, the surroundings have.
On the corner of Walkers Row and Union Street, nestled next to a tumble drier vent is a fragment of Gisborough Priory. It actually looks like the base of a small column, perhaps from a window ?
Many chunks of the priory were reused across the town after the Dissolution of the Monasteries in 1540, although how this one ended up in a relatively modern building is a mystery.